I derive inspiration from the natural world, although sometimes things get a little twisted and convoluted, a little abstract.


I am captivated by printmaking, bewitched by etching: the romance of process, a series of steps laid out centuries ago that are very specific but have a life of their own - a silent, unpredictable partner.


The history invoked by the smell of the ink; the endless combinations and variations of techniques; the luscious paper and the embossment made by the plate as the paper and ink are melded into one. I can never be sure of the final result until I run paper and plate through the press, fold back the blankets and gently lift the paper to see what has appeared, the first print of an edition.


I am honored to explore and practice the traditions of fine art printmaking - its history, and quiet emotional involvement and intimate connection with the viewer – and to continue these traditions into the world of today.


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Artist Image #1
Coquille Point, Monoprint with etching (photopolymer gravure) 11x14 in (plate 8x10 in) 2022
Artist Image #4
Real or Memory: Leaves 2, Etching (hard ground, soft ground, sandpaper aquatint) 14x11 in (plate 8x5 in) 2022
Artist Image #2
Honor Etch Offer Florist, Etching (hard ground with sandpaper aquatint) 11x14 in (plate 6x8 in) 2017
Artist Image #5
Pandemic Moon Rolls through the Forest, Etching (hard ground, sandpaper aquatint, chine colle) 11x14 in (plate 5x7 in) 2021
Artist Image #3
Real or Memory: Leaves 1, Etching (hard ground, soft ground, sandpaper aquatint, dry point) 11x14 in (plate 6x8 in) 2021
Richmond, CA
United States